We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

Stations of the Cross in our graveyard

The Stations of the Cross began as the practice of pious pilgrims to Jerusalem who would retrace the final journey of Jesus Christ to Calvary.

Later, for the many who wanted to pass along the same route, but could not make the trip to Jerusalem, a practice developed that eventually took the form of the fourteen stations currently found in almost every church. This allowed people to follow the way in their hearts as they meditated on the last hours of Jesus’ life.

Our Stations features 14 paintings of our talented parishioner Mary Peterman and the work of Creative Color in Fredericksburg to create the posters. They are hung outside in our graveyard to increase visibility.

This video features photos taken by Catherine on the actual day they went up combined with the haunting Adagio of Tomaso Albinoni. If you are in the area, come by and walk the stations.

The stations can be walked in a small group or in solitude. Meditating on the words for each station, and on Mary’s watercolors, will be a spiritual experience that will deepen your relationship to Jesus and your faith.

Walking the stations of the cross also remind us that Jesus lived and died as one of us, and knew horrible suffering. As we travel with him through his last hours, we come to know that Jesus travels with us in our hours of greatest need.

Sermon for March 5, 2023 – “Faith is foundational to our lives as Christians”

Faith is foundational to our lives as Christians.

In the Living Compass Lenten devotional that some of us are reading during Lent, the readings last week were about faith.  Robbin Brent wrote in her entry for Friday, March 3, that faith is believing in something and then acting on that belief. 

And she quotes Dr. Martin Luther King, Jr., who says that “faith is taking the first step even when you can’t see the whole stairway.” 

We are practical people—we like to see what’s ahead, and plan accordingly so that we can be thoroughly prepared.  Planning trips, planning vacations, planning for school, planning for retirement, planning for issues that we may face toward the end of our lives—all of this planning is good to do.  But we so often plan as if we are the only ones in charge of our lives and fully in control,  forgetting that life is notorious for handing us unexpected and often unwelcome challenges that we have not planned for. 

But when these unexpected things happen, we can act on our belief in God by stepping faithfully into whatever the situation is, knowing that God is with us, and will go with us, and will never, ever leave us alone—so we can proceed, yes, often with trepidation, or with caution, or even with great sorrow, but proceed we can and will.  We can lay aside our own plans and enter the unknown into which life is calling us.   

We can step into the unknown because we are people of faith.

In today’s Old Testament reading, God tells Abram, just a regular person like us, to go from his country and his kindred and his father’s house to the land God will show him.  God does not give Abram a map or tell him anything about how to get where God is leading him—that is the future that Abram cannot see.   

But Abram believes in God, and so he acts in faith.  The writer of Genesis states succinctly, “So Abram went, as the Lord had told him.” 

Today’s psalmist is starting out on a difficult journey to Jerusalem, a trip that will be full of unknown challenges, since the traveler must pass through the barren wilderness, exposed to the heat of the day and the chill of the nights, possible attacks by thieves, getting lost, and no telling what else.  Wouldn’t it be easier just to stay home? 

But the psalmist is willing to set out because that person has faith in God’s steadfast love.  The traveler knows that especially in the difficulties of the journey, God, like a mother hen spreading her wings over her chicks to protect them from predators and to keep them warm and safe, will also protect the psalmist in the face of any challenge that may arise. 

And then we come to Nicodemus.  I really like the story of Nicodemus because he is a practical human being, a literal thinker with a bit of an imagination,  a law keeper and a planner, all admirable traits. 

It’s that bit of imagination and that need to plan that brings Nicodemus to Jesus at night.  After all, he and his fellow rabbis know that Jesus is a teacher who has come from God and that Jesus couldn’t do what he was doing apart from God. Nicodemus just might need to factor Jesus into his life and his plans.  So he decides to go have a talk with Jesus to find out.

The first thing that Jesus does is to dismantle the tendency of Nicodemus to think  literally, to believe only what he can see and understand.  Jesus introduces Nicodemus to the world of imagination—to the life of the Spirit, a life that requires being willing to enter the unknown, because “the Spirit blows where it chooses, and you hear the sound of it, but you do not know where it comes from or where it goes.”  

Jesus goes on to tell Nicodemus(and here’s the GOOD NEWS)  that God is on the side of the world—all of those who don’t know God, or have any idea of the Spirit—Jesus has come to clue them in, to open them up, to challenge them to go beyond what they can see to what they cannot even imagine, that is, the beginning of life in God, here and now. 

Jesus didn’t come to condemn the world but to save the world.

We’ve probably all been where Nicodemus is—we are curious, we can see that God is at work in the world, and we want to know—what do you, God, have to do with my life?  We believe in God, but we aren’t sure that we want to act on that belief by letting the Spirit in and possibly wrecking our carefully thought out plans. 

We can’t predict or control the Spirit.  So how can we plan for the work of the Spirit in our lives? We have to have imagination, to be open to possibilities that may never have occurred to us, to be willing to jettison our carefully laid plans and be willing instead to enter the unknown. 

Ultimately we have to choose—we can take a chance and enter into the unknown life of the Spirit, and act on our beliefs, going where God calls us, or just continue on as we are, thank you very much. 

Remember, faith is believing in something and acting on that belief.  As Robbin Brent says in the essay that I mentioned earlier, “it is our faith in God, expressed through our willingness to act on what we believe, that prepares our minds and hearts to respond compassionately to suffering, our own, others’ and the world’s.” 

One person who chose to enter the life of the Spirit was Harriet Tubman. She was born a slave and escaped to freedom.  But Harriet could not forget all of the people who were still enslaved back home.  So she acted on  her belief that “God don’t  mean people to own people.”  She had compassion on those who were still suffering as slaves.  At great risk to her own life, Harriet Tubman kept going back into danger, over and over, even though she had a bounty on her head, to lead many more slaves to freedom. 

Quaker abolitionist Thomas Garrett said of Harriet Tubman in 1868 that “I never met a person of any color who had more confidence in the voice of God, as spoken direct to her soul…and her faith in a Supreme Power truly was great.”  His statement is on the wall of an exhibit at the Harriet Tubman Underground Railroad State Park in Dorchester County, Maryland. 

 Many of us know about this intrepid woman because of our friend Cleo Coleman, who embodies Harriet Tubman and tells the story of Harriet’s faith and how she acted on her faith by becoming a liberator of her people.    As the History Channel says of Harriet Tubman, “she is one of the most recognized icons in American history and her legacy has inspired countless people from every race and background.”   

Harriet Tubman has a new separate feast day on the Calendar of the Episcopal Church, and that day is March the 10th. The Episcopal Church encourages all parishes and dioceses, in conjunction with other communities of faith,  to honor Harriet Tubman in a worship service  on or near the 110th anniversary of her death, which will be this Friday, March 10, 2023. 

So we honor her today as a person who did not hesitate to enter the unknown life that the Spirit called her into, by acting on her faith and responding compassionately to the suffering of others by leading them to freedom.  And as Harriet Tubman herself said, “Every great dream begins with a dreamer.  You have within you the strength, the patience and the passion to reach for the stars, to change the world.” 

After Nicodemus left Jesus late that night and made his way back home, maybe he looked up at the stars and remembered God’s promise to Abraham,  that God would make of Abraham a nation as numerous as the stars in the heavens.  After all, Nicodemus was a member of that nation of Israel and a teacher.  But now, maybe Nicodemus wondered what else Jesus could teach him.    Would he ever understand what Jesus was trying to say about being born again, being born from above, being born anew?  Maybe Nicodemus wondered if he might dare to follow Jesus openly.  Or maybe he was just too tired and too puzzled to give the conversation he had just had with Jesus much more thought right then.  

We will never know.    

But what we do know is that several months before Jesus was crucified, the chief priests and the Pharisees, of whom Nicodemus was one, wanted to have Jesus arrested. Nicodemus spoke against this arrest.    He said, “Our law does not judge people without first giving them a hearing to find out what they are doing, does it?”  He was taunted for his statement—the others said, “Surely you are not also from Galilee, are you?” So now we know that  Nicodemus must have given more thought to what Jesus had said to him, for Nicodemus is acting on his belief that Jesus has come from God by having compassion on Jesus and speaking against his arrest. 

After Jesus is crucified and dies,   Joseph of Arimathea, a secret disciple of Jesus, asks Pilate for the body so that he can give Jesus a proper burial.  Nicodemus goes with Joseph of Arimathea to bury Jesus, and brings with him a mixture of myrrh and aloes, weighing about a hundred pounds.  The weight of these spices would be appropriate for the burial of a king.  Clearly, Nicodemus revered Jesus and had compassion for him, or he would not have honored him so lavishly. 

We hear nothing more of Nicodemus and we can only imagine the rest of his story.   Did his compassion for Jesus become compassion for the world around him? 

We don’t know the rest of our stories either.  We can’t know the future.  But what we do know is that God loves us with a steadfast love.  And that steadfast  love never ceases.  God’s love will carry us through all our goings and comings in this life, through all the joys and all the heartaches, because we know that God’s mercies will never come to an end.  Even after our longest and darkest nights,  God’s mercies are new every morning. We can proceed through the unknowns ahead with confidence.   

And we can faithfully act on our belief in our steadfast, merciful and loving God by letting the Spirit blow where it will through our lives.   We can faithfully step into the unknown, and go where God would send us, full of steadfast love and compassion for all this hurting world. 

Sunday Links, March 5, 2023, Lent 2

Lent 1, Feb. 26, 2023

  • Second Sunday of Lent Service 11am YouTube link Sun., March 5, 2023

  • Lectionary for March 5, 2023, Second Sunday of Lent, Second Sunday of Lent
  • Bulletin for March 5, 2023, Bulletin
  • Coffee Hour immediately following the service
  • Morning Meditation , Mon., March 6, 6:30am Zoom link Meeting ID: 879 8071 6417 Passcode: 790929
  • The Psalms study , Mon., March 6, 7:00pm Zoom link Meeting ID: 873 0418 9375 Passcode: 092098
  • The Book of Psalms is generally believed to be the most widely read and the most highly treasured of all the books in the Old Testament. It is a collection of poems, hymns, and prayers that express the religious feelings of Jews throughout the various periods of their national history. The Psalms contain wisdom that is eternal. “ “Trust in the Lord, and do good; so you will live in the land, and enjoy security. Take delight in the Lord, and he will give you the desires of your heart.” -Psalm 37:3,4. There are 5 ideas in this one passage that will help you lead a productive life.

  • Ecumenical Bible Study, Wed., March 8, 10am-12pm.
  • Village Dinner, Wed., March 8, 4:30pm-6pm. Italian Night—Spaghetti and Meatballs, Salad, Garlic Bread, Dessert–Cost $10. Let Catherine Hicks (540) 809-7489 know if you would like to reserve a dinner and whether you plan to eat in or take out.

  • March, 2023 Newsletter
  • Stations of the Cross in our churchyard
  • Meditate on the last hours of Jesus’ life by walking the Stations of the Cross. Mary Peterman’s moving watercolors and the text for each station are on a series of fourteen banners which you will find placed outside the church for quiet meditation either in solitude or in small groups.

  • All articles for Lent 2, March 5, 2023
  • The Lenten Gospel Readings

    The Lenten Gospel Readings- the Path Ahead

    Lent has five Sunday plus Palm Sunday.

    Except for Lent 1, all of the Gospel readings come from the Gospel of John, specifically the second part Book of Signs (Jn 1.19-12.50).  Palm Sunday has its own readings.

    The second Sunday through the fifth has Jesus confronting various characters – a educated Pharisee, a Samaritan Women, a blind man and a man recently deceased.  These texts from John are about revelation–the revelation of who Jesus is, the one sent by God, the begotten God, whose offer of life is in his presence and not necessarily delayed until his death.

    The key is in the dialogues that the characters try to understand Jesus from their own backgrounds. Is he who he says he is ? How does he challenge Jewis teachings in the past ?

    Along the way, it deals with man’s constant temptations and limits vs. Jesus as the source of light and eternal life.  Jesus does make himself known in a significant way.  It shows the power and glory of Christ and how humans confront it .

    Are they going to find themselves within Christ ?  Ultimately, how are we finding our way through Christ ? Will we recognize him? Will we witness for him? Will we see him and worship him? Will we come when we hear him call our names? Will we move as these stories show from darkness to light, from insecurity to testimony, from blindness to sight, from death to life?  Here are the Sundays:

    First Sunday of Lent: The Temptation of Jesus, following upon the account of Jesus’ own baptism, is a vivid reminder that our baptismal life is similar to Christ’s life: we will be subject to trial and temptation.

    Second Sunday of Lent: The Story of Nicodemus , the Pharisee never understood the significance of Christ beyond the miracles despite his education. To stand accepted before God requires a conversion of one’s whole being. It requires being born from above, washed new by the Spirit of God.

    Third Sunday of Lent: In the story of The Samaritan Woman the gradual enlightenment of the woman by Jesus is a pattern of baptismal grace that steadily purifies and enlightens us.

    Fourth Sunday of Lent: The Man Born Blind shows the power of God offered to cure a helpless blind man. God’s power is no less evident in the sacrament of baptism.

    Fifth Sunday of Lent: Raising of Lazarus is a powerful reminder that Christ is the “resurrection and the life” and those who believe in him will have eternal life.

    Indeed the continual revelation of Jesus becomes a reason why the authorities conclude he is a dangerous man that needs to be dealt with in Holy Week.

    Videos, March 5, 2023

    1. Hymn- “How Firm a Foundation”

    2. Gospel John 3:1-17

    3. Sermon Lent 2, Rev. Catherine Hicks

    4. Offertory

    5. Communion Hymn

    Nicodemus in Art – Lent 2

    Nicodemus is connected with Lent 2, Year A. John 3:1-17

    The readings in Lent 2 are all about signs and promises. Nicodemus was both a pharisee and a member of the Jewish Council Sanhedrin. It may have seemed that Nicodemus had everything–money, prominence, and power. However Nicodemus needed something else; he was a seeker of truth. He addresses Jesus as “Rabbi”, recognizing him as a new teacher of the Law.

    Nicodemus was aware that Jesus had come from God because no one could do the signs/miracles that Jesus did if he weren’t from God and shows his significance. Unlike the other Pharisees who scoffed or plotted against Christ, Nicodemus went to meet with him defying social prejudice. It was at night so it could be secret . The night may be symbolic with Nicodemus cast in darkness, in ignorance, in unbelief.

    Nicodemus discovered that eternal life was his for the receiving. Eternal life is not something attained on the other side of the grave. Eternal life is something lived in the continuous present of the here and now (eternally), living freely in the fullness of faith in God over and above all else.

    The second time Nicodemus is mentioned (John 7: 50 -52) is when Nicodemus confronts and questions his fellow Pharisees about arresting Jesus without adequate proof that he had broken the Law. Nicodemus’ own journey was to give Jesus a chance.

    The third time (John 19:39) he is noted in the Gospel of John as having assisted Joseph of Arimathea in Jesus’s burial. We can surmise that Nicodemus has become a devoted follower of Jesus as he brings myrrh and aloes to anoint Jesus’ body for burial.

    Here are some of the artistic depictions of Nicodemus, mostly around the first appearance of Nicodemus in John 3:1-17:

    1. “Head of a Bearded Man (Nicodemus)”, (1577–1660) Giacomo Cavedone The Metropolitan Museum of Art

    He was a Italian Baroque painter of the Bolognese School. His career as a painter was cut short by a set of misfortunes; these included a 1623 fall from a church scaffold and, in 1630, the death of his wife and children from the plague. He lived until 1660, and died in poverty.

    His principal works are the Adoration of the Magi, the Four Doctors, Last Supper; and his masterpiece, the large altar painting in the Pinacoteca di Bologna, Virgin and Child in Glory with San Petronio and Saint Alo (1614).

    2. “Christ-instructing-Nicodemus” – Jacobo Jordaens (mid 17th century)

    He was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never traveled abroad to study Italian painting.

    Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.

    3. “Nicodemus Visiting Jesus by Night” – Henry Ossawa Tanner (1899)

    Tanner was the first African American artist to attain a reputation abroad. Tanner’s renders Nicodemus and Jesus on a rooftop.

    The setting is authentic. Tanner travelled to Palestine to study its landscape and ways in order to be true to it.

    Tanner unites the prologue of John (‘what has come into being in him was life, and the life was the light of all people. The light shines in the darkness, and the darkness did not overcome it… The true light, which enlightens everyone, was coming into the world.’) with Nicodemus’ deep conversation andwith Jesus’ declaration ‘I am the light of the world. Whoever follows me will never walk in darkness but will have the light of life.’ (John 8:12). It may well also allude to his death and burial. The large urn standing near Jesus could refer to his entombment as John says that Nicodemus brought a large portion of spices to anoint Jesus’ body.

    4. “Interview between Jesus and Nicodemus” 1886 and 1894 – James Tissot

    Tissot was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871.

    In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. He quickly developed his reputation as a painter of elegantly dressed women shown in scenes of fashionable life.

    In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. At a time when French artists were working in impressionism, pointillism, and heavy oil washes, Tissot was moving toward realism in his watercolors.

    Widespread use of his illustrations in literature and slides continued after his death with “The Life of Christ and The Old Testament” becoming the “definitive Bible images.”

    5. “Christ and Nicodemus” – Crijn Hendricksz Volmarijn, (1604-1645)

    He was a painter at the height of the Dutch golden age in painting.

    6. “Christ and Nicodemus” – Fritz von Uhde (1886)

    von Uhde (1845-1911) was a German mid-19th century painter. His style lay in-between Realism and Impressionism and was once known as “Germany’s outstanding impressionist”. A journey to the Netherlands brought about a change in his style, as he abandoned the dark chiaroscuro he had learned in Munich in favor of a colorism informed by the works of the French Impressionists.

    7. “Visit of Nicodemus to Christ” – John La Farge (1880)

    La Farge (1835-1910) was both a painter and a competitor to Louis Tiffany for stained glass windows in the late 19th century.

    In the 1870s, La Farge began to paint murals, which became popular for public buildings as well as churches. His first mural was painted in Trinity Church, Boston, in 1873. Then followed his decorations in the Church of the Ascension (the large altarpiece) and St. Paul’s Chapel, New York.

    In 1892, La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City.

    La Farge experimented with problems of shifting and deteriorating color, especially in the medium of stained glass. His work rivaled the beauty of medieval windows and added new resources by his use of opalescent glass and by his original methods of layering and welding the glass.

    Opalescent glass had been used for centuries in tableware, but it had never before been formed into flat sheets for use in stained-glass windows and other decorative objects. For his early experiments, La Farge had to custom-order flat sheets of opalescent glass from a Brooklyn glass manufacturer. La Farge apparently introduced his competitor Louis Tiffany to the new use of opalescent glass sometime in the mid 1870s, showing him his experiments.

    Both came up with patents for opalescent glass. The major difference in their patents is that Tiffany lists somewhat different technical details, for instance relating to the air space between glass layers. La Farge’s patent focused more on the material and Tiffany’s more on its use in construction.

    8. “Jesus and Modern Day Nicodemus – Richard Hook (1970’s?)

    We used this image for our bulletin in 2020. Hook (1914-1975) married artist his wife Frances who was from Ambler, Pennsylvania. Richard must also have come from the same part of the country, since the couple met as students at the Pennsylvania Museum and School of Industrial Art (now the University of the Arts) in Philadelphia.

    After their marriage, Richard found work in an advertising agency and provided illustrations for popular journals like Collier’s and The Saturday Evening Post. When the demand for original commercial art waned in the 1960s, the couple turned their attention to the growing inspirational art market. Hook met the need for a more masculine Jesus with his own rugged, sunburned (somewhat Semitic-looking).

    9. “Born Again” – Lauren Wright Pittman

    Comments by the Author “In reading this text, I felt the kind of dizzying brain space that I think Nicodemus is reeling in at this moment. Jesus lists metaphors that swirl around and fly over Nicodemus’ head, such as, “the wind blows where it chooses.” Jesus’ words create a halo of confusion around Nicodemus’ head. I imagine Nicodemus faced away from Jesus with his eyes closed, grappling for answers by playing the metaphors in his head like little vignettes on repeat. While Nicodemus spins in his searching, Jesus says simply, “We speak of what we know and testify to what we have seen, yet you do not receive our testimony.” In Jesus’ perspective, his explanations to Nicodemus are as real and tangible as earthly things, but for Nicodemus, Jesus’ words seem so distant, so celestial. Nicodemus is a leader of the Jews; he has all of the knowledge of the law and of doctrine, but he doesn’t know Jesus. He’s not even really listening to Jesus. Jesus is right in front of his face. He can reach out and touch him. But they are light years away from one another. I wonder how things would shift for Nicodemus if he would just look at Jesus…”