We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

2024 Sun Jan 28

Conversion of Paul, Jan 25

On January 25 we remember how Saul (or Paul) of Tarsus, formerly a persecutor of the early Christian Church, was led by God’s grace to become one of its chief spokesmen. Here are two art works that depict the event :

“The Conversion on the Way to Damascus; ” (1601)   “ The Conversion of St. Paul ” Nicolas-Bernard Lepicie, 1767

 "and suddenly a light from heaven shined round about him. And falling on the ground, he heard a voice saying to him: Saul, Saul, why persecutest thou me? Who said: Who art thou, Lord? And he: I am Jesus whom thou persecutest. " Acts 9: 3-5

Italian painter Caravaggio painted the one on the left in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. The painting depicts the moment recounted in Chapter 9 of Acts of the Apostles when Saul, soon to be the apostle Paul, fell on the road to Damascus.

Caravaggio is close to the Bible. The horse is there and, to hold him, a groom, but the drama is internalized within the mind of Saul. There is no heavenly apparition. He lies on the ground stunned, his eyes closed as if dazzled by the light.

Caravaggio’s style featured a dark background with usually one point of breaking light. Paul is flung off of his horse and is seen on his back on the ground. Although Paul reflects the most light out of all the characters, the attention is given to him in a strange way. Because Paul is on the ground, he is much smaller than the horse, which is also at the center of the painting but he is pictured closer to the viewer.

The second painting constrast with Caravaggio in the use of color and light. This one has some of the most vibrant colors.  Heaven’s light is shown coming dynamically from left to right.  The painting is like the key frame in a movie on the conversion.  At the time Lepicie was a professor at the  Royal Academy of Painting and Sculpture in Paris

Read more

Story of a painting – Rembrandt’s “Presentation in the Temple”

Rembrandt returned to the subject, "Presentation of Jesus in the Temple" at least 5 times from 1627 to 1654, two paintings, three etchings.

The subject is the biblical story of Simeon. Jesus was still an infant when Joseph and Mary took him to the temple to be presented to God. There they were approached by Simeon, a devout old man who recognised the child as the Saviour and praised him to God.

The most famous of these works was in 1631 when he was about 25 and still living in Leiden. Later that year he moved to Amsterdam. This painting is the high point of Rembrandt’s Leiden years: it represents the sum total of his artistic abilities at that

Most of his paintings are in very dark tones out of which his figures seem to appear to the foreground. Rembrandt was the master of dark and light and most of his pictures are made in this style of struggle between dark and light, night and day, sorrow and joy.

The key to the picture is how carefully and delicate the figures are painted, even those in the darkest part of the painting. The beautiful contrast, between the light on the central group and the soft dimness of the remoter parts of the cathedral, illustrates a style of work for which Rembrandt was very famous.

Read more

Sermon, Rev. Thomas Hughes, Jan. 28, 2024

Sermon is transcribed from the video.

The lessons today are all about spiritual considerations. If you spend a little time with them, the lessons are all about the spiritual nature of what it means to live in this world before God. So with that in mind there are really four things I want to talk about today. One is knowledge and kinds of knowledge . There are two kinds of knowledge – there’s spiritual knowledge, there’s intellectual knowledge and there’s also this basic drive that human beings have for wholeness. Then I want to talk a little bit about symbols and how they are an expression of our spiritual lives.

I’m sure we’re all aware that our culture is really starving spiritually. There’s no other way to describe it. You hear descriptions of  places where there is  a food desert.  I’ve heard that expression lately talking about places where there is food that is not available in the way that people need food. Jesus  said you did not live by bread alone. Jesus’ teaching is all about being fed spiritually even though he is very mindful of what it required to live in this world and what human beings  needed to do to survive. There’s no reason to think he wasn’t always respectful of people’s knowledge. Certainly growing up in the in the carpenter shop he knew how to build things; he understood how things in this world work so he was not naive about that. Yet his life was  all about something else altogether different. His life was all about teaching and revealing the spiritual nature of the world and of God and of the spiritual nature that we all have to all the people around him. 

Now, the idea that there are spiritual things at the heart of all goes to a little quote here in Jeremiah where it says I  created you as a strong vine with your roots firmly in the ground to produce for me. Why is it then you have produced wild grapes instead of those for which you were  created? Going all the way back some 700 years before Christ we had the great Prophet Jeremiah writing about the fact that what was coming up in our lives, what was coming up in civilization was not what God had intended. God had planted plants that were to give birth to a whole new kind of life of the spirit. Instead, something else was happening it’s still happening even though all these 2,000 years later. 

Read more