We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, who are still here, and we honor with gratitude the land itself and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

Ascension – Start of the Mission of the Church

The Ascension is the beginning of the church’s mission.

  1. It is powered by the Spirit 

  2. It is a call to be witnesses 

  3. It is worldwide is scope  

The Ascension holds the promise of Christ’s return.

WHAT? What Happened to Jesus.

A. He ascended to a place invisible to the mortal eye

1. Acts 1:9 “A cloud received him out of their sight”

2. He did not go up into some mountain that was covered with clouds as some men have speculated.

B. Luke 24:51 “And it came to pass, while he blessed them, he was parted from them, and carried up into heaven.”

1. He is on the right hand of God

2. I Peter 3:22 “Who is gone into heaven, and is on the right hand of God; angels and authorities and powers being made subject unto Him.”

Where is heaven ? When the early church confessed that Jesus had ascended into heaven, the emphasis was not so much on a place – the emphasis was on God’s immediate presence. The church was confessing that Jesus had entered into the divine glory – that the risen Jesus now dwelt in the immediate presence of God. This may explain the meaning of the phrase, "a cloud took him out of their sight" (Acts 1:9). Oftentimes in scripture, a cloud represents the shekinah glory of God, the sign of God’s presence (cf. Exo. 33:7-11; Mark 9:7).

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Ascension

Ascension Mantegna

The New Testament treats the Ascension as an integral part of the Easter event. 

It is the final appearance Jesus’ physical and resurrected presence on earth. It is the final component of the paschal mystery, which consists also of Jesus’ Passion, Crucifixion, Death, Burial, Descent Among the Dead, and Resurrection.

Along with the resurrection, the ascension functioned as a proof of Jesus’ claim that he was the Messiah. The Ascension is also the event whereby humanity was taken into heaven.   There is a promise he will come back again.

So when is it ? The Ascension in Luke 24 is on Easter Sunday evening or, at the latest, the next day; in John 20, sometime between the appearance to Mary Magdalene (who is told not to touch the risen One because he has not yet ascended) and the appearance to Thomas (who is invited to touch him); in Acts 1, after the forty days (which, however, are symbolic of the time of revelation; there may be no intention to suggest that the ascension actually “occurred” on the fortieth day).  We celebrate Ascension on the 40th day.

The main scriptural references to the Ascension are Mark:16:19, Luke:24:51, and Acts:1:2 and vvs. 8-10. Luke 24 says  "While he was blessing them, he withdrew from them and was carried up into heaven". In Acts " he was taken up to heaven, after giving instructions through the Holy Spirit to the apostles whom he had chosen." Jesus commissions his followers, rather than simply blessing them; and we have an appearance from two men in white robes.

Mount Olivet, near Bethany, is designated as the place where Christ left the earth. The feast falls on this Thursday, May 18 and it is one of the most solemn in the calendar, ranking with the feasts of the Passion, Easter and Pentecost.

In disappearing from their view "He was raised up and a cloud received Him out of their sight" (Acts 1:9), and entering into glory He dwells with the Father in the honur and power denoted by the scripture phrase."

In a way, Jesus’ abandonment of the disciples upon the Mount of Olives is more profound than their abandonment on Calvary. After all, the disciples themselves predicted he would die. But no one could have imagined the Resurrection and the extraordinary forty days during which Jesus dwelled again with his friends. Forty days with the resurrected Jesus – appearing in the upper room, along the way to Emmaus, upon the beach at Galilee! Imagine their despair when this, the Jesus present to them in such an astonishing way, enters the Cloud on the Mount of Olives.

The Rev. Suzanne Guthrie writes, "The Church gives us ten days to practice dwelling in the ambiguous time between the Resurrected-Christ-vanished, and the Holy Spirit not-yet-come. In the mystical life, Ascensiontide is the Dark Night of the Soul, the anguished sense of abandonment after a solid period of union. The soul can not cling even to this union. The last threads of attachment must be broken in the darkness of unknowing before the completion of the Christian transformation – being “sent” into the world as bearers of Love."

Although no documentation of it exists prior to the beginning of the fifth century, St. Augustine says that it originated with the Apostles, and that it was observed by the Church long before his time. The Ascension is frequently mentioned in the writings of St. John Chrysostom, St. Gregory of Nyssa, and in the Constitution of the Apostles. Perhaps, prior to the fifth century it was commemorated in conjunction with the feasts of Easter or Pentecost.

Connected with this feast were the customs of: the blessing of beans and grapes (after the Commemoration of the Dead in the Canon of the Mass), the blessing of first fruits, (afterwards done on Rogation Days), the blessing of a candle, the wearing of mitres by deacon and subdeacon, the extinguishment of the paschal candle, and processions with torches and banners outside the churches to commemorate the entry of Christ into heaven. In some churches, the Ascension was depicted by elevating the figure of Christ above the altar, through an opening in the roof. In others, the figure of Christ was made to ascend and that of the devil was made to descend.

Ascension Art

The Ascension has always been a challenge to understand through the scriptures. Artists have played a role in giving us a visual depiction of the event. They have been doing this for over a 1000 years.

By the 6th century the iconography of the Ascension had been established and by the 9th century Ascension scenes were being depicted on domes of churches.   

There are many traditions in Ascension art.

In some representations there may be no mountain and he may be climbing a mandorla, or be lifted towards Heaven in a mandorla by angels.

In the Eastern Church and in some western paintings, the Virgin Mary is at the center of the group of Apostles (representing the Church) who look upwards towards the ascending Christ.

In Romanesque depictions sometimes just the feet of Christ are shown as he disappears up into the clouds; this depiction became the most popular in Northern Europe, where it lingered in provincial wood reliefs until well after the Reformation.

Ascension scenes fall naturally into two zones, an upper heavenly part and a lower earthly part. The ascending Christ may be carrying a resurrection banner or make a sign of benediction with his right hand. The blessing gesture by Christ with his right hand is directed towards the earthly group below him and signifies that he is blessing the entire Church. In the left hand he may be holding a Gospel or a scroll, signifying teaching and preaching. From the Renaissance on the angels may not be present.

The earthly part of the Ascension depictions do not only represent those believed to have been present at the Ascension, but the entire Church. In some Ascension depictions both Apostle Paul and the Virgin Mary may be present. Given Paul converted to Christianity after the Ascension, and that the New Testament does not directly place the Virgin Mary at the Ascension, these depictions represent "the Church" rather than the specific individuals

More modern views often omit the disciples focusing on Jesus. The sky in many cases is not specifically shown and he is alone. One of the most radical is Dali’s horizontal Jesus.  Another type of image is a three dimensional space emphasizing Christ’s movement, accompanied by brilliant colors.