We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

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Another look at the Gospel – Lent 3

Another Look at the Gospel, Lent 3 – “Rebuilding the World with Everyday Wisdom” 

We can go further and look at Jesus’ example beyond the woman in simply doing what’s needed to be done.

Pschologist Barry Schwarz in a Ted Talk laments the loss of Wisdom. He argues powerfully that rules often fail us, incentives often backfire, and practical, everyday wisdom will help rebuild our world.   Here is the Ted Talk

“Practical wisdom,” Aristotle told us, “is the combination of moral will and moral skill.”

A wise person knows when and how to make the exception to every rule, as the janitors knew when to ignore the job duties in the service of other objectives. A wise person knows how to improvise, as Luke did when he re-washed the floor.

Real-world problems are often ambiguous and ill-defined and the context is always changing. A wise person is like a jazz musician — using the notes on the page, but dancing around them, inventing combinations that are appropriate for the situation and the people at hand. A wise person knows how to use these moral skills in the service of the right aims.

To serve other people, not to manipulate other people. And finally, perhaps most important, a wise person is made, not born. Wisdom depends on experience, and not just any experience. You need the time to get to know the people that you’re serving. You need permission to be allowed to improvise, try new things, occasionally to fail and to learn from your failures. And you need to be mentored by wise teachers.”

Song – “Jesus Met A Woman at the Well” – Peter, Paul and Mary

One of the first albums I had growing up was Peter, Paul and Mary in Concert, their first recorded concert. On that piece of vinyl was the song “Jesus Met a Woman at the Well.” The story from John  was popularized within a whole new generation. These lyrics conclude that Jesus is “the prophet” because he knew everything the woman at the well had ever done.

Hear the song in concert.

Nicodemus in Art – Lent 2

Nicodemus is connected with Lent 2, Year A. John 3:1-17

The readings in Lent 2 are all about signs and promises. Nicodemus was both a pharisee and a member of the Jewish Council Sanhedrin. It may have seemed that Nicodemus had everything–money, prominence, and power. However Nicodemus needed something else; he was a seeker of truth. He addresses Jesus as “Rabbi”, recognizing him as a new teacher of the Law.

Nicodemus was aware that Jesus had come from God because no one could do the signs/miracles that Jesus did if he weren’t from God and shows his significance. Unlike the other Pharisees who scoffed or plotted against Christ, Nicodemus went to meet with him defying social prejudice. It was at night so it could be secret . The night may be symbolic with Nicodemus cast in darkness, in ignorance, in unbelief.

Nicodemus discovered that eternal life was his for the receiving. Eternal life is not something attained on the other side of the grave. Eternal life is something lived in the continuous present of the here and now (eternally), living freely in the fullness of faith in God over and above all else.

The second time Nicodemus is mentioned (John 7: 50 -52) is when Nicodemus confronts and questions his fellow Pharisees about arresting Jesus without adequate proof that he had broken the Law. Nicodemus’ own journey was to give Jesus a chance.

The third time (John 19:39) he is noted in the Gospel of John as having assisted Joseph of Arimathea in Jesus’s burial. We can surmise that Nicodemus has become a devoted follower of Jesus as he brings myrrh and aloes to anoint Jesus’ body for burial.

Here are some of the artistic depictions of Nicodemus, mostly around the first appearance of Nicodemus in John 3:1-17:

1. “Head of a Bearded Man (Nicodemus)”, (1577–1660) Giacomo Cavedone The Metropolitan Museum of Art

He was a Italian Baroque painter of the Bolognese School. His career as a painter was cut short by a set of misfortunes; these included a 1623 fall from a church scaffold and, in 1630, the death of his wife and children from the plague. He lived until 1660, and died in poverty.

His principal works are the Adoration of the Magi, the Four Doctors, Last Supper; and his masterpiece, the large altar painting in the Pinacoteca di Bologna, Virgin and Child in Glory with San Petronio and Saint Alo (1614).

2. “Christ-instructing-Nicodemus” – Jacobo Jordaens (mid 17th century)

He was a Flemish painter, draughtsman and tapestry designer known for his history paintings, genre scenes and portraits. After Peter Paul Rubens and Anthony van Dyck, he was the leading Flemish Baroque painter of his day. Unlike those contemporaries he never traveled abroad to study Italian painting.

Like Rubens, Jordaens painted altarpieces, mythological, and allegorical scenes, and after 1640—the year Rubens died—he was the most important painter in Antwerp for large-scale commissions and the status of his patrons increased in general.

3. “Nicodemus Visiting Jesus by Night” – Henry Ossawa Tanner (1899)

Tanner was the first African American artist to attain a reputation abroad. Tanner’s renders Nicodemus and Jesus on a rooftop.

The setting is authentic. Tanner travelled to Palestine to study its landscape and ways in order to be true to it.

Tanner unites the prologue of John (‘what has come into being in him was life, and the life was the light of all people. The light shines in the darkness, and the darkness did not overcome it… The true light, which enlightens everyone, was coming into the world.’) with Nicodemus’ deep conversation andwith Jesus’ declaration ‘I am the light of the world. Whoever follows me will never walk in darkness but will have the light of life.’ (John 8:12). It may well also allude to his death and burial. The large urn standing near Jesus could refer to his entombment as John says that Nicodemus brought a large portion of spices to anoint Jesus’ body.

4. “Interview between Jesus and Nicodemus” 1886 and 1894 – James Tissot

Tissot was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871.

In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. He quickly developed his reputation as a painter of elegantly dressed women shown in scenes of fashionable life.

In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about Biblical events. Many of his artist friends were skeptical about his conversion, as it conveniently coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. At a time when French artists were working in impressionism, pointillism, and heavy oil washes, Tissot was moving toward realism in his watercolors.

Widespread use of his illustrations in literature and slides continued after his death with “The Life of Christ and The Old Testament” becoming the “definitive Bible images.”

5. “Christ and Nicodemus” – Crijn Hendricksz Volmarijn, (1604-1645)

He was a painter at the height of the Dutch golden age in painting.

6. “Christ and Nicodemus” – Fritz von Uhde (1886)

von Uhde (1845-1911) was a German mid-19th century painter. His style lay in-between Realism and Impressionism and was once known as “Germany’s outstanding impressionist”. A journey to the Netherlands brought about a change in his style, as he abandoned the dark chiaroscuro he had learned in Munich in favor of a colorism informed by the works of the French Impressionists.

7. “Visit of Nicodemus to Christ” – John La Farge (1880)

La Farge (1835-1910) was both a painter and a competitor to Louis Tiffany for stained glass windows in the late 19th century.

In the 1870s, La Farge began to paint murals, which became popular for public buildings as well as churches. His first mural was painted in Trinity Church, Boston, in 1873. Then followed his decorations in the Church of the Ascension (the large altarpiece) and St. Paul’s Chapel, New York.

In 1892, La Farge was brought on as an instructor with the Metropolitan Museum of Art Schools to provide vocational training to students in New York City.

La Farge experimented with problems of shifting and deteriorating color, especially in the medium of stained glass. His work rivaled the beauty of medieval windows and added new resources by his use of opalescent glass and by his original methods of layering and welding the glass.

Opalescent glass had been used for centuries in tableware, but it had never before been formed into flat sheets for use in stained-glass windows and other decorative objects. For his early experiments, La Farge had to custom-order flat sheets of opalescent glass from a Brooklyn glass manufacturer. La Farge apparently introduced his competitor Louis Tiffany to the new use of opalescent glass sometime in the mid 1870s, showing him his experiments.

Both came up with patents for opalescent glass. The major difference in their patents is that Tiffany lists somewhat different technical details, for instance relating to the air space between glass layers. La Farge’s patent focused more on the material and Tiffany’s more on its use in construction.

8. “Jesus and Modern Day Nicodemus – Richard Hook (1970’s?)

We used this image for our bulletin in 2020. Hook (1914-1975) married artist his wife Frances who was from Ambler, Pennsylvania. Richard must also have come from the same part of the country, since the couple met as students at the Pennsylvania Museum and School of Industrial Art (now the University of the Arts) in Philadelphia.

After their marriage, Richard found work in an advertising agency and provided illustrations for popular journals like Collier’s and The Saturday Evening Post. When the demand for original commercial art waned in the 1960s, the couple turned their attention to the growing inspirational art market. Hook met the need for a more masculine Jesus with his own rugged, sunburned (somewhat Semitic-looking).

9. “Born Again” – Lauren Wright Pittman

Comments by the Author “In reading this text, I felt the kind of dizzying brain space that I think Nicodemus is reeling in at this moment. Jesus lists metaphors that swirl around and fly over Nicodemus’ head, such as, “the wind blows where it chooses.” Jesus’ words create a halo of confusion around Nicodemus’ head. I imagine Nicodemus faced away from Jesus with his eyes closed, grappling for answers by playing the metaphors in his head like little vignettes on repeat. While Nicodemus spins in his searching, Jesus says simply, “We speak of what we know and testify to what we have seen, yet you do not receive our testimony.” In Jesus’ perspective, his explanations to Nicodemus are as real and tangible as earthly things, but for Nicodemus, Jesus’ words seem so distant, so celestial. Nicodemus is a leader of the Jews; he has all of the knowledge of the law and of doctrine, but he doesn’t know Jesus. He’s not even really listening to Jesus. Jesus is right in front of his face. He can reach out and touch him. But they are light years away from one another. I wonder how things would shift for Nicodemus if he would just look at Jesus…”

One more look at Nicodemus – from a sermon in 2011

“Nic was a big guy in many ways.  He was tall, and even though he had put on a little weight in middle age, he still had a certain youthfulness and confidence that other men envied.  Nic was a big guy at work too, having successfully risen to the top of his profession, known as a leader, not only in the local company, but also at the corporate level.  People listened when Nic spoke.  They paid attention, sought his guidance.

Black Escalde“Nic drove a large black Escalade. He loved the way the Escalade roared to life when he turned the key in the ignition, the way he sat up high above the rest of the traffic, barely having to press the accelerator to gun past anyone in his way and to get to his destination in record time.The Escalade suited Nic, summed up who he was, really.Big, bold, in charge.”

Read more of the 2011 sermon

Yet another look at Nicodemus.. getting back up again and being constantly reborn

Source:  South West Presbytery Lenten Block Party

“In most cases we become experts at doing things we’ve never done before by using the skills we have and working with them. We learn more by doing. In the cycle of reflecting, acting and reflecting we are being constantly reborn, born anew.

“Skateboarder Rodney Mullen in Ted Talks looks at the process of constant reformation from the perspective of skateboarding, which not only taught him about the sport but gave him an approach to life, a language that can inspire others to break through to their new birth.

“In skateboarding, like life, there are challenges, there are obstacles. Mullen observes, ‘In order to achieve success you are going to have to push through.”

“Pushing through is not one heroic act, it is made up of many little steps that we chain together until we ‘get it’ and which we keep performing until they become natural, unthinking, automatic.

“Can you think of examples in your life where you have had to break through? Challenges which you overcame by chaining together smaller steps (for example, learning to ride a bike, play an instrument, or a particular game)? What were the challenges along the way? What did it take to get to where you wanted to be?”

Two quotes to share – “The biggest obstacle to creativity is breaking throught the barrier of disbelief, especially when no one else is doing it.”

“Getting up again is what shapes and forms the engine.”

What is TED ? TED (Technology, Entertainment, Design) is a global set of conferences owned by the private non-profit Sapling Foundation. The slogan – “ideas worth spreading.”

Art for the 2nd Week in Lent, Year A

Commentary is by Daniella Zsupan-Jerome.

“From James Tissot’s famous Bible illustration series, the Interview between Jesus and Nicodemus strives to depict with careful attention to period detail the scene from John’s Gospel in which Nicodemus seeks out Jesus at night to learn more from him about his teaching.

“Tissot researched his Bible series by traveling to the Holy Land, and the details in clothing, furnishings, and domestic life all help transport the viewer into the world of the Bible, or at least the Middle East at the turn of the 20th century. Even more compelling than the setting, though, is the intimacy between the figures of Jesus and Nicodemus. The image communicates the hospitality, warmth, and friendship that are available to us no matter who we are or when we arrive at Christ’s door.

“Jesus and Nicodemus are seated close to one another. One can almost hear their hushed tones, their low voices so as not to disturb the sleeping world around them. Jesus embodies hospitality—he looks squarely yet kindly at Nicodemus as he explains to him what has become the most quoted passage of the New Testament: “For God so loved the world that he gave his only Son.” Jesus reaches over with one hand to reassure Nicodemus and invite his friendship. There is no sense in Christ that Nicodemus is intruding at this late hour, but he welcomes him and meets him where he is with kindness and truth. Nicodemus leans in and looks down; he is listening intently and seems deeply moved by the words.

“For today’s viewer, the encounter between Jesus and Nicodemus might bring to mind the contemporary Sacrament of Reconciliation, especially the moment when the penitent, having confessed his sins, now listens intently to the counsel of the confessor. The candle-lit setting is reminiscent of a retreat or a Reconciliation service, often the context of the sacrament. Jesus’ reassuring hospitality is powerful when perceived in this light.

“With this understanding, the removed shoes in front of the mat, a sign of domestic tradition, here become symbols of something more: the holy ground of encounter between Jesus and Nicodemus, a holy ground for friendship and reconciliation, for healing and finding truth.

Art for Lent 1, Year A

This Sunday’s first reading from Genesis invites us back to the beginning—to the creation of man and woman, and their original fall, succumbing to the temptation of the serpent. Ivan Kramskoi’s Christ in the Desert returns Jesus to this same beginning to face his own temptations before heading out to engage in public ministry.

Christ is seated in a rocky, arid landscape. Seated in the dust from which we came, Christ is battling. His battle is intensely psychological. As the devil tempts him with thoughts of worldly satisfaction, power, and an easier way out, he recalls the original temptation, the one Adam and Eve could not resist. This time around, Christ knows what is at stake—the gravity of the difference between Paradise gained or lost is visible on his face.

In the stillness of this arid scene, we see heaven and earth clash. In the distance we see a sky that is dawning, a subtle sign of hope that this New Adam will bring humankind back to right relationship with God. The bottom half of the image, though, is the rocky earth— a symbol of the human struggle, of the toil man has endured after the Fall, and of the unforgiving realities of human suffering if separated from God’s life-giving grace. Christ faces downward; he is embedded in this struggle, committed to enter into the depths of it. On his right, where the sky touches the desert, the background is the darkest—evoking these depths. Yet on his left, the rocky terrain reaches up to the brightening sky, seeking the light of a graced existence. And in the middle, Kramskoi places Jesus. He is the bridge between this darkness and light.

But his bridge-building will not be easy. The burden of this process shows on his face, weighs down his shoulders, and pierces his bare feet. His resolve culminates in the center of the image, in his hands gripping one another, fused together in a gesture of prayer. Strength emanates from these hands, hands of prayer fusing heaven and earth together once again as he resists temptation and remains faithful to who he is and what he is called to do.

On this first Sunday of Lent, Jesus’ strength in prayer is a gift of encouragement for our journeys as well—a gift to take with us into our own wildernesses where the voice of temptation utters false words. These hands fused in prayer remind us to resist the isolation that the devil’s false words bring, and to remain in the grip of grace—joined to God.

Lent begins Feb. 22, 2023

Lent is a 40 day Christian festival beginning Ash Wednesday and concluding on Easter (Sundays are not counted).  The 40 day fast of Jesus in the wilderness was responsible for the number 40 being chosen .  It was said by Athanasius in 339 AD to be celebrated the world over.

The word “Lent” comes from the old Anglo-Saxon word lengten, which means “springtime,” named so for the time of the year in which it occurs.   The five Lenten Sundays are followed by the Sunday of the Passion, Palm Sunday, which begins Holy Week, when we relive the events of Jesus Christ’s suffering and death.

What we now call Lent was originally a period of fasting and study for catechumens who were to be baptized on the Saturday before Easter.  The purpose of this extended fast was to practice self-denial and humility. This was to prepare oneself for receiving God’s grace and forgiveness in baptism, given on Easter Saturday or Easter Sunday.

Lent is…

Lent is:

• A time for looking at the things we do that are wrong or that tempt us, asking God’s and other people’s forgiveness;
• A time for giving up things that keep us from being loving people;
• A time for doing extra things that will help us grow closer to God;
• A time to be more aware of what it means to love as God loves us;
• A time to ask God to help us to be more loving, remembering that God is always ready to strengthen us.
• A time to let go of our normal routine, try a new spiritual practice, to step out of our box, to reflect on ourselves, to reflect on a relationship with God. It can be a very creative time. At a later time these practices may help us endure trying of challenging times. Lent gives us a chance to practice facing our fears, journeying in the wilderness, confronting the dangers and difficulties we find there, and reaching out for Jesus’ hand for the entire trip.

Salt and Light, Epiphany 5

This week Jesus spends some time telling the disciples how to BE disciples in real time. And so when Jesus was teaching the disciples on the mountain in the Sermon on the Mount, he gave them some illustrations about how to carry out their work, right?” “He told the disciples, “You are the salt of the earth.” And also light.

Salt preserves and enhances flavor. As salt, we add flavor and zest to the world, and we also preserve goodness in the world. And as light, we reflect God’s glory and bring God’s light into dark places—and there is plenty of darkness in our world.

This perspective of authentic belief and outward practice described as righteousness runs through all of our readings this week. In short, the question is “Who is your God?” This question is at the very core of stewardship in our faith authenticated, or not, by how we use our time and God-given abilities and how we share our material and financial resources.

Jesus tells us in the Sermon on the Mount that we are salt and light. We are baptized as partners with Jesus in establishing the kingdom of heaven to preserve the faith of the Gospel for the good of the world. In today’s reading, Jesus gives us our job description, tells us who we are to be as his followers—And that’s all of us. Farmers, parents, horseback riders, nurses, realtors, insurance agents, priests, retired people, students, teachers, accountants, those of us who are still seeking clarity about what God is calling us to do in our lives—regardless of who we are, and who we are to become, God is always giving us work to do, here and now.

Preservation of our own belief in the Gospel comes through authentic practice of our faith stewarding our time and abilities in prayer, worship, and service of others, and stewarding our material and financial resources to support the mission of the Church. The “scribes and Pharisees” in Matthew’s gospel account are characterized by closing themselves off to the presence of the kingdom of heaven because they were busy maintaining their own kingdoms.

The Gospel reading is the second week of the Sermon on the Mount. Jesus provided this as an instruction manual that directly addressed the Messianic Jews of Antioch, who found themselves deeply embattled by the Pharisees and Sadducees

As Jesus begins, the audience is apparently his closest disciples (5:1); when he ends, the audience is much broader (7:28). The primary theme of the sermon is righteousness or justice (dikaiosune); the content that follows will give the specifics. Jesus’ teaching opens with the beatitudes (5:3-11).

Matthew follows the Beatitudes with two sayings, one on salt and one on light. Salt was used as a purifier of sacrifices (Ezekiel 43:24). The images of both salt and light also described the law. Light also referred to God and to the restored Israel after the exile.

Verses 17-20 explain Jesus’ relationship to the law. Because of the destruction of the temple, the central authority for Judaism during this period was the law, and Jesus was to be evaluated in relationship to it.

Matthew asserts that a great reversal has taken place: The law is no longer to be the center about which everything revolves. Jesus is the new center, and the law and the prophets must be evaluated in relation to him. That relationship is one not of abolition, but of fulfillment. Matthew sees the law and prophecy as fulfilled in Jesus (11:13). The law pointed forward to, and now finds its meaning in, Jesus.

Matthew’s Beatitudes

Today’s scriptures underline the upside-down nature of life in God’s kingdom. The prophet Micah proclaims that the only sacrifice God wants is justice. Paul insists that God’s foolishness and weakness are more powerful than worldly wisdom and strength. In the Beatitudes, Jesus describes true happiness in a way of life that runs contrary to ordinary human expectations.

The Gospel probes contrasts with the Beatitutes. Matthew gathers the teaching of Jesus into five great discourses and balances them with narratives of Jesus’ deeds. Today’s reading is the first of a series drawn from the first discourse, the Sermon on the Mount.

The “blessed” in the Old Testament are those who receive an earthly fulfillment—of prosperity, offspring and long life. In later Jewish writing, the blessings belong to those who will enter the final age of salvation. Jesus offers these future blessings now, for the kingdom is present in him.

The first four beatitudes reflect attitudes that climax with an unceasing hunger for a right relationship with God—both personally and communally. The second four reflect the actions and lifestyles of those who hunger in this way. In verse 10, Jesus teaches that those who live the Beatitudes will face persecution, for this way is contrary to all that the world espouses.

Jesus spoke these words to a crowd of peasants, a tattered bunch, probably not even knowing what they were searching for. They lacked an understanding of their plight. Jesus offered them another view of their aching unhappiness, a hidden dimension beyond their misery.

Jesus assured them that they were holy. He corrected the misconception that salvation must be earned and that earthly prosperity was a sign of divine favor. He reversed “top down” notions of religion, where sanctity filtered from the religious hierarchy to the common folk. He praised the kind of ordinary sanctity that Salvadoran theologian Jon Sobrino called, “in the God of the lowly, the greater God.”

Those whom the world would consider miserable are in Jesus’ eyes most happy. They have seen through the false promises of wealth and the fragility of human relationships. Knowing that all illusions must fail, they seek security in God. Those who mourn are blessed for several reasons: because they have loved deeply, and because God will comfort them.

Meanings in today’s service…

A photo collage of today’s service – communion, the roses around the altar, Rev. Tom Hughes with those roses and the light, greeting of a family by both ministers. Lots of symbols for the service and the lectionary.

From Sun Jan 22, 3rd Epiphany focused on the call of disciples. John the Baptist’s death was the spark that caused Jesus’ ministry to begin. When the news comes to him about John’s arrest, he makes a difficult choice, by withdrawing to Galilee, where he calls his first disciples, preaches the Sermon on the Mount, begins his ministry of healing, and teaches what it means to be the Messiah who is “God with us.”

The Rev. Tom Hughes stressed that what was unique in the Gospel was that Jesus was coming to the disciples and not vice-versa as it was in the Old Testament. His understanding of the needs and potential of the disciples was significant. Here is his sermon.

The calling of the disciples considers the idea of starting over as a new beginning as God did at the time of the crossing of the Red Sea. Where John baptized is where the Hebrew people had originally come across. God is calling us to make new commitments for a community empowered by the Holy Spirit to live in the world inspired by Christ to live in a certain way and knowing that the reward for that is eternity with God.

Jesus’ return to Galilee will be the occasion for those who sit in darkness to see “a great light” (Matthew 4:16-17). No doubt Jesus’ ministry of teaching and healing is the basis for that light.

We too are being set apart for purposes in our time. We must be aware of those purposes and act accordingly in our ministries.

Restorative

“What do you do with your grief and frustration about the world’s injustices?  If we aren’t intentional about turning them into redemptive and restorative actions they will shrink and consume us.  Or, they will make us chronically hopeless.  Jesus’s cousin was arrested and then killed.  It was a state and religious community-sanctioned hit job.  After a short time away, we hear that Jesus’ response to this tragedy was to finish John’s work- to preach and heal.  To bring the God conversation to places and people established religion had forsaken.  Jesus redeems John and the good he was doing before his arrest by turning lament into life.  Injustice will be with us as long as there is humanity, the question is will we let it have the last word? ” – Bishop Rob Wright, Atlanta

From the Gospel reading – Matthew 4:12-23