Adapted from “Anglican Compass”
The color green is associated in the season of Ordinary Time. It appears in green clergy vestments, in green fabrics on the altar and pulpit, and sometimes in green hangings or other adornments. You might even choose to wear green on occasion (no obligation to do so!).
This green represents growth. Just as we see green in the growing plants of the natural world, green appointments in the church remind us of God’s creation, his gift of food for our flourishing, and his command to numerical and spiritual growth.
The Green in God’s Creation
In nature, green is the universal color of vegetation, including trees, bushes, grass, and all manner of edible crops. Scientifically speaking, plants’ chlorophyll absorbs the blues and reds in the light spectrum, leaving the greens reflected in our sight. Green is not the most common color on earth (that distinction belongs to the blue of waters and skies), but it is the color most associated with growth and the food that growth requires.
Green is the only color named explicitly in the Genesis creation account, where God gives to the animals “every green plant for food,” and likewise gives to man “every plant yielding seed” and “every tree with seed in its fruit” (Genesis 1:29-30).
Moreover, the home God made for man was a garden, which contained “every tree that is pleasant to the sight and good for food” (Genesis 2:9). In other words, God expressly linked the sight of green trees with the expectation of good food.
By analogy, when we see green in the church, it is a sign of the good food we will find there.
The Green in God’s Temple
The analogy between the church and the green garden of Eden is not as far-fetched as it may seem. God has always made a link between his place of worship and the Garden of Eden, both through figural symbolism and the color green.
The Tabernacle and the Temple both featured figural symbolism of plants and fruits, including the lamp stand shaped like an almond tree (Exodus 25:31-34), priestly vestments adorned with pomegranates (Exodus 28:33-34), Temple doors carved with gourds and open flowers (1 Kings 6:18), and all around the walls of the Temple were carvings of palm trees and open flowers (1 Kings 6:29).
Similarly, the design of both the Tabernacle and the Temple referred back to the Garden with strategic use of the color green. This color was achieved not through fabric, but rather through the metal bronze, which oxidizes into a green patina. In the Tabernacle, bronze appeared in many places, but most importantly as the material for the altar (Exodus 27:1-8). Thus, just as in the garden, the color green was linked to the provision of food. Green altar fabrics in churches today make the same association.
The Temple featured bronze in its great pillars at the entrance of the building, complete with capitals engraved with pomegranates and lilies (1 Kings 7:15-22). To someone entering the Temple, it must have felt utterly transporting, the green pillars like glorified trees of a new Eden.