We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

King: A Filmed Record (1970)

King: A Filmed Record … Montgomery To Memphis is a 1970 American documentary film biography of Martin Luther King Jr. and his creation and leadership of the nonviolent campaign for civil rights and social and economic justice in the Civil Rights Movement.

It uses only original newsreel and other primary material, unvarnished and unretouched, and covers the period from the Montgomery bus boycott of 1955 and 1956 through his assassination in 1968. The original newsreel segments are framed by celebrity narrators Harry Belafonte, Ruby Dee, Ben Gazzara, Charlton Heston, James Earl Jones, Burt Lancaster, Paul Newman, Anthony Quinn, Clarence Williams III, and Joanne Woodward.

The movie was produced by Ely Landau and directed by Sidney Lumet in what was the only documentary he would direct in his whole film career. It lasts 1 hour 45 minutes.

Accomplishments of Martin Luther King

He promoted a vision of equal rights under the law in public accommodations and eliminating segregation throughout America, ignoring the differences in skin color

To work toward this goal, King helped to popularize the technique of nonviolent confrontations based on his reading of Gandhi, Whitman and others which combined with his organizing abilities helped to bring about successes. King’s techniques for non-violent confrontations are explored here.

During the less than 13 years of Dr. Martin Luther King, Jr.’s leadership of the modern American Civil Rights Movement, from December 1955 until April 4, 1968, African Americans achieved more genuine progress toward racial equality in America than the previous 350 years had produced.

Here’s a sermon Catherine preached in April, 2018 on the 50th anniversary of his death.

Here are 10 accomplishments of his life:

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Is This Cana?

Archaelogists claimed in 2018 they have found the real site of Cana from John’s Gospel

A number of compelling clues suggest the site is Khirbet Qana, a Jewish village that existed between the years of 323 BC and AD 324. Excavations have revealed a network of tunnels used for Christian worship, marked with crosses and references to Kyrie Iesou, a Greek phrase meaning Lord Jesus. There is also an altar and a shelf with the remains of a stone vessel, plus room for five more. Six stone jars like this held the wine in the biblical account of the miracle.

Dr. Tom McCollough who is directing excavations at the site points to the work of first-century Jewish historian Flavius Josephus. “His references to Cana align geographically with the location of Khirbet Qana and align logically with his movements.

Conversion of Paul, Jan 25

On January 25 we remember how Saul (or Paul) of Tarsus, formerly a persecutor of the early Christian Church, was led by God’s grace to become one of its chief spokesmen. Here are two art works that depict the event :

“The Conversion on the Way to Damascus; ” (1601)   “ The Conversion of St. Paul ” Nicolas-Bernard Lepicie, 1767

 "and suddenly a light from heaven shined round about him. And falling on the ground, he heard a voice saying to him: Saul, Saul, why persecutest thou me? Who said: Who art thou, Lord? And he: I am Jesus whom thou persecutest. " Acts 9: 3-5

Italian painter Caravaggio painted the one on the left in 1601 for the Cerasi Chapel of the church of Santa Maria del Popolo, in Rome. The painting depicts the moment recounted in Chapter 9 of Acts of the Apostles when Saul, soon to be the apostle Paul, fell on the road to Damascus.

Caravaggio is close to the Bible. The horse is there and, to hold him, a groom, but the drama is internalized within the mind of Saul. There is no heavenly apparition. He lies on the ground stunned, his eyes closed as if dazzled by the light.

Caravaggio’s style featured a dark background with usually one point of breaking light. Paul is flung off of his horse and is seen on his back on the ground. Although Paul reflects the most light out of all the characters, the attention is given to him in a strange way. Because Paul is on the ground, he is much smaller than the horse, which is also at the center of the painting but he is pictured closer to the viewer.

The second painting constrast with Caravaggio in the use of color and light. This one has some of the most vibrant colors.  Heaven’s light is shown coming dynamically from left to right.  The painting is like the key frame in a movie on the conversion.  At the time Lepicie was a professor at the  Royal Academy of Painting and Sculpture in Paris

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“Rosa Parks” by Nikki Giovanni



This is for the Pullman Porters who organized when people said
they couldn’t. And carried the Pittsburgh Courier and the Chicago
Defender to the Black Americans in the South so they would
know they were not alone. This is for the Pullman Porters who
helped Thurgood Marshall go south and come back north to fight
the fight that resulted in Brown v. Board of Education because
even though Kansas is west and even though Topeka is the birth-
place of Gwendolyn Brooks, who wrote the powerful “The
Chicago Defender Sends a Man to Little Rock,” it was the
Pullman Porters who whispered to the traveling men both
the Blues Men and the “Race” Men so that they both would
know what was going on. This is for the Pullman Porters who
smiled as if they were happy and laughed like they were tickled
when some folks were around and who silently rejoiced in 1954
when the Supreme Court announced its 9—0 decision that “sepa-
rate is inherently unequal.” This is for the Pullman Porters who
smiled and welcomed a fourteen-year-old boy onto their train in
1955. They noticed his slight limp that he tried to disguise with a
doo-wop walk; they noticed his stutter and probably understood
why his mother wanted him out of Chicago during the summer
when school was out. Fourteen-year-old Black boys with limps
and stutters are apt to try to prove themselves in dangerous ways
when mothers aren’t around to look after them. So this is for the
Pullman Porters who looked over that fourteen-year-old while
the train rolled the reverse of the Blues Highway from Chicago to
St. Louis to Memphis to Mississippi. This is for the men who kept
him safe; and if Emmett Till had been able to stay on a train all
summer he would have maybe grown a bit of a paunch, certainly
lost his hair, probably have worn bifocals and bounced his grand-
children on his knee telling them about his summer riding the
rails. But he had to get off the train. And ended up in Money,
Mississippi. And was horribly, brutally, inexcusably, and unac-
ceptably murdered. This is for the Pullman Porters who, when the
sheriff was trying to get the body secretly buried, got Emmett’s
body on the northbound train, got his body home to Chicago,
where his mother said: I want the world to see what they did
to my boy. And this is for all the mothers who cried. And this is
for all the people who said Never Again. And this is about Rosa
Parks whose feet were not so tired, it had been, after all, an ordi-
nary day, until the bus driver gave her the opportunity to make
history. This is about Mrs. Rosa Parks from Tuskegee, Alabama,
who was also the field secretary of the NAACP. This is about the
moment Rosa Parks shouldered her cross, put her worldly goods
aside, was willing to sacrifice her life, so that that young man in
Money, Mississippi, who had been so well protected by the
Pullman Porters, would not have died in vain. When Mrs. Parks
said “NO” a passionate movement was begun. No longer would
there be a reliance on the law; there was a higher law. When Mrs.
Parks brought that light of hers to expose the evil of the system,
the sun came and rested on her shoulders bringing the heat and
the light of truth. Others would follow Mrs. Parks. Four young
men in Greensboro, North Carolina, would also say No. Great
voices would be raised singing the praises of God and exhorting
us “to forgive those who trespass against us.” But it was the
Pullman Porters who safely got Emmett to his granduncle and it
was Mrs. Rosa Parks who could not stand that death. And in not
being able to stand it. She sat back down.

Rosa Parks birthday, Feb 4 – Black History


From the SALT project

“February 4 is the birthday of Rosa Parks, born in Tuskegee, Alabama, in 1913. In the 1940s and 50s, she served as secretary of the Montgomery chapter of the NAACP, working as a civil rights organizer and activist.  

“In August of 1955, black teenager Emmett Till, visiting relatives in Mississippi, was brutally murdered after allegedly flirting with a white woman. Parks attended a mass meeting at Dexter Avenue Baptist Church in Montgomery on November 27, 1955; the meeting’s speakers addressed the Emmett Till case at length, including the news that Till’s two murderers had just been acquitted. Parks was deeply disturbed and angered by the verdict, not least because Till’s case had received such widespread public attention, far more than other cases she and the Montgomery NAACP had worked on over the years. Just four days later, she took her famous stand on that fateful Montgomery bus ride. She later said that when the driver ordered her to move, “I thought of Emmett Till and I just couldn’t go back.”

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