We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

Art

Van Gogh’s Sower and Stewardship


One of the best illustrations of the Parable of the Sower, this week’s Gospel from Matthew 13, is Van Gogh’s The Sower with Setting Sun from 1888. Look at it—a seemingly simple, rural summer scene of a farmer distributing seed. But look again at the composition and colors—the painting is unique in that the sower is almost overshadowed by the huge sun in the center and the ploughed earth.

Van Gogh had a special interest in sowers throughout his artistic career. All in all, he made more than 30 drawings and paintings on this theme. The sower in particular was a figure that Van Gogh saw in terms of representing the eternal cycle of agricultural life, of honorable endeavor and tradition, and symbolized these qualities to the artist.

Van Gogh studied to be a priest so his pictures often include religious themes. Color always provided a particular meaning for Van Gogh. Here, Van Gogh used colors meant to express emotion and passion. He assigned the leading roles to the greenish-yellow of the sky and the purple of the field. He painted the sun in his favorite color citron, a very intense yellow, which made up the sun and was used in pure form without being mixed. This is the color of God. The bright yellow sun looks like a halo, turning the sower into a saint. Here he has created a great orb of light, from which short precise brushstrokes radiate outwards so that the whole sky becomes bathed in golden rags

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Visual Commentary on Scripture –  In the Beginning, Genesis 1

Genesis 1:1–2
Revised Standard Version
1 In the beginning God created the heavens and the earth. 2 The earth was without form and void, and darkness was upon the face of the deep; and the Spirit of God was moving over the face of the waters.

This exhibition contains works of art by Giovanni di Paolo, Unknown artist [Paris], and Michelangelo Buonarroti.

Go to The Gallery

Exhibition : The Lord is My Shepherd

This is from the Visual Commentary on Scripture, a web based museum on topics in scripture.

Click the link to to the exbhiti: The Lord is my Shepherd

The exhibit has a drop link (“Exhibition Menu”) to the scripture passage, commentary, an comparative commentary.

Most artworks inspired by Psalm 23 (or commissioned to illuminate it) prioritize either the pastoral side of the Psalm (as in the case of the Parma illumination) or the ‘valley of the shadow of death’ of Psalm 23:4 and its attendant imagery (as in the Stuttgart illumination).

1. Valley of the Shadow of Death, 1855, Salted paper print by Roger Fenton

2 The Parma Psalter, 13th century, Illuminated manuscript

3. Psalm 23, from the Stuttgarter Psalter, First half of the 9th century, Illuminated manuscript