We are a small Episcopal Church on the banks of the Rappahannock in Port Royal, Virginia. We acknowledge that we gather on the traditional land of the first people of Port Royal, the Nandtaughtacund, and we respect and honor with gratitude the land itself, the legacy of the ancestors, and the life of the Rappahannock Tribe. Our mission statement is to do God’s Will in all that we do.

Lectionary illustrations, Aug 13, 2023

"He said (to Elijah), ‘Go out and stand on the mountain before the Lord, for the Lord is about to pass by.’ Now there was a great wind, so strong that it was splitting mountains and breaking rocks in pieces before the Lord, but the Lord was not in the wind; and after the wind an earthquake, but the Lord was not in the earthquake; and after the earthquake a fire, but the Lord was not in the fire; and after the fire a sound of sheer silence." – 1 Kings 19:11-12


"Immediately he made the disciples get into the boat and go on ahead to the other side, while he dismissed the crowds… When evening came, he was there alone, but by this time the boat, battered by the waves, was far from the land,[a] for the wind was against them. And early in the morning he came walking toward them on the sea. But when the disciples saw him walking on the sea, they were terrified, saying, “It is a ghost!” And they cried out in fear. 27 But immediately Jesus spoke to them and said, “Take heart, it is I; do not be afraid.” – Matthew 14:22-27

Van Gogh’s Sower and Stewardship


One of the best illustrations of the Parable of the Sower, this week’s Gospel from Matthew 13, is Van Gogh’s The Sower with Setting Sun from 1888. Look at it—a seemingly simple, rural summer scene of a farmer distributing seed. But look again at the composition and colors—the painting is unique in that the sower is almost overshadowed by the huge sun in the center and the ploughed earth.

Van Gogh had a special interest in sowers throughout his artistic career. All in all, he made more than 30 drawings and paintings on this theme. The sower in particular was a figure that Van Gogh saw in terms of representing the eternal cycle of agricultural life, of honorable endeavor and tradition, and symbolized these qualities to the artist.

Van Gogh studied to be a priest so his pictures often include religious themes. Color always provided a particular meaning for Van Gogh. Here, Van Gogh used colors meant to express emotion and passion. He assigned the leading roles to the greenish-yellow of the sky and the purple of the field. He painted the sun in his favorite color citron, a very intense yellow, which made up the sun and was used in pure form without being mixed. This is the color of God. The bright yellow sun looks like a halo, turning the sower into a saint. Here he has created a great orb of light, from which short precise brushstrokes radiate outwards so that the whole sky becomes bathed in golden rags

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