Eight from St. Peter’s enjoyed an exhibit of 60 Renaissance- and Baroque-era paintings from many museums around the globe all depicting Mary. The exhibit is at the National Museum of Women in the Arts in Washington. The trip was an extension of our Advent study on Mary, “Singing Mary’s Song” and led by artist Susan Tilt. It will continue until April 12.
Art
Stained glass repair 2011-2012
Back in November, 2011, we had a post about work to restore stained glass windows on both the left and right side of the church. One was cracked on the right side and there was a missing rose medallion on the left. Through a generous donation, the work is complete and installed on Feb. 23, 2012. Stained Glass by Shenandoah had to order special paint from France to complete the work. The results can be seen here in photos taken by the company.
Visual Lectionary Advent 4, Dec. 22, 2024
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Arts & Faith: Week 4, Year C
Commentary is by Daniella Zsupan-Jerome, director of ministerial formation at Saint John’s University School of Theology and Seminary.
Henry Ossawa Tanner’s realist depiction of the Visitation invites us around Elizabeth’s table at her house, at the moment when Mary arrives and greets her. The setting is spare, except for the table, which is covered in a white cloth and has bread, wine, and an ample bowl of fruit awaiting consumption.
Mary is just entering the house. Her face is kind and joyful, her bodily presence already humming the Magnificat before she utters the words that will come to sing her praise to the Lord. She is a familiar Mary, a relative to us all, and her warm presence recalls the homecomings and joyful arrivals of loved ones that we experience, especially around the holidays.
Elizabeth’s expression welcoming Mary is complex. In light of Tanner’s realist style, we would expect her rising from the table, moving toward Mary in anticipation of a warm embrace—and that is sure to come. But Tanner catches Elizabeth here in a moment of awe instead. If Mary’s body sings the Magnificat, Elizabeth embodies her words of awe and wonder: “How does this happen that the mother of my Lord should come to me?” Her upheld hands are in a position of prayer honoring the presence of God in their midst, in her home, around her table. Elizabeth’s expression is one of serene reverence, a total response to the divine presence she senses in the core of her being, confirmed by the stirring of the child in her womb. “Blessed are you, Mary”—this Elizabeth knows, utters, and prays.
The meeting between Mary and Elizabeth teaches us about the holy. Tanner shows us that we encounter the holy in the everyday moments of our lives—an arrival, a homecoming, a table set for a meal. But Elizabeth’s expression reminds us that while we find holiness in this world, it is not of this world, that finding holiness is a glimpse of God’s magnificent otherness that beckons us to draw close, but also fills us with wonder and awe. May we find and welcome holiness in these last days of Advent as we await the light of Christ.
Visual Lectionary Advent 3, Dec. 15, 2024
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Saylor Nativity Collection
The Saylors brought their nativity collection to St. Peter’s for Advent in 2021. They are in the windows. Jan has been collecting since the early 1990’s. The photo above took a character (or group) from each of the 8 countries represented in their collection.
Top Row, left to right – Bolivia, US, Indonesia, Peru
Second Row, left to right -Dominican Republic, Zambia, Colombia, and Haiti
There is a story behind each piece of art. Some of the art was bartered (Dominican Republic, Haiti) and others bought from Ten Thousand Villages a nonprofit fair trade organization (Indonesia, Peru, Colombia). Some of the pieces from Zambia and Dominican Republic reflect their overseas travels. Closer to home the US piece came from Jan’s family home. We thank them for sharing this treasure with St. Peter’s.
We have a photo gallery of the exhibit.
Visual Lectionary Advent 2, Dec. 8, 2024
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Visual Lectionary Advent 1, Dec. 1, 2024
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